A familiar design; subtle, unspoken, and woven into Arab memory.

From Tunis to Baghdad, from coffee shops to studios, those before us wore it without needing to name it, in a time of fewer choices.

And in our view, the time has come to unify the idea, starting with what we are to call it :

takm mazbūt

  • takm mazbūt l

    Inspired by Ahmed Zaki, this classic edition is a grounded, introspective rendering of the form.

  • takm mazbūt ll

    Inspired by Abdel Halim Hafez, this second edition is a romantic rendering of the classic takm mazbūt.

  • takm mazbūt lll

    Inspired by Rushdi Abaza, the third is a charismatic, spirited rendering of the classic takm mazbūt.